The Ten Most Common Photographic Mistakes

Here is a quick rundown of the most common mistakes people (like me) make that mess up a good photo or prevent us from taking a good photo. It is a big leap for me to start talking about taking photos, since it is so much more subjective than writing Photoshop Tutorials. I am on a journey and often times I look at older pictures on this site and wonder why I even took the photo (at least I have some negative examples to show you). I am taking the easy way out, starting with things that can go wrong, to kick off this series on photography techniques.

1. Images are too cluttered (less is more)

In Photography, less is often more. Before pressing the shutter-release button, ask yourself what you first noticed in a scene that made you want to take this photo. Then try to isolate whatever you saw, without including too much in the scene. Otherwise the viewer will get confused and will start wondering what you wanted to show and why you bothered taking the photo in the first place.

Compare this photo of Downtown Philadelphia...

Philadelphia Downtown ClutteredPhiladelphia Downtown Cluttered
This image outlines how tight the space is in the city.
Philadelphia ReflectionsPhiladelphia Reflections Philadelphia Apartment BuldingPhiladelphia Apartment Bulding ...with this photo of the reflection of an old building in a new building (left).

The second image (left) is contained within the first image; however, the second image really brings out what I wanted to show - the contrast of old and new. Most "snapshots" would include a lot more of the scene than even the first image shows, dwarfing the actual subject even more. 

The human eye and mind tends to see a 3-dimensional scene differently. You automatically blend out things you don't care about. In a photograph it's exactly the opposite.
The things you didn't even see in the first place tend to pop out and come right at you: Wham, in your face viewer.

The first image is still a good image if you wanted to show how space is at a premium in large cities and how tight the buildings clinch together. For that matter, I didn't even bother correcting the perspective (narrowing down towards the top of the image) as it tends to increase the feeling of tightness.

Even though the photo of the Apartment Buildings (right) is not exactly a photographic masterpiece, it shows exactly why I even bothered to look at the building (repetitive pattern of windows).
Had there been more in this picture, it would be a lot less interesting.

Here is an example of too much going on:

Bruhls Terrace DresdenBruhls Terrace Dresden
If someone even bothers to look at the picture, his eyes will start to wander. Once you are at the parachute in the lower left corner (your eye is almost out of the picture now), you start to wonder about the person that's not even in the picture anymore and you are out of the picture. A good photo however, should draw the viewer in.

2. There is no Bad Weather in Photography

This is a myth. For Photography there is no such thing as bad weather. In fact, I have consistently taken my best photos in what most people consider bad weather. Some places look "just right" with thick thunderstorm clouds, like this image of Half Dome:

Half Dome Winter StormHalf Dome during a Winter StormThat day I saw many tourists leaving the park in disappointment while many others like me took photos with umbrellas and rain gear.
Often I hear comments by people complaining that they don't have a clear blue sky (I call it a boring sky) and that their photos would look dull. Most don't even bother to take a photo. Big Mistake!

3. No Patience

Sunset on El CapitanSunset and Storm with El CaptianVernal Falls with RainbowVernal Falls with Rainbow Patience is a virtue. I took one of my best images in Yosemite in Winter. Winter can really test your patience. The whole day was rainy and foggy (zero visibility - exception for #2) and not very interesting in terms of photography (even Half Dome was hidden in the clouds). However, I stuck around hoping for a clearing and it really happened. I was rewarded with a dramatic shot of El Capitan peeking through the clouds, bathing in golden sunlight (left).

I admit, sticking around for a whole day is a bit extreme. Here is another example (right).

I knew that if I waited long enough for the sun to set behind me, a rainbow would show up in front of Vernal Falls. I had to wait 90 minutes for this to happen (and it only lasted a minute or so). While I was standing there in the cold mist, wondering if the rainbow would ever show, I was passed by many other photographers who stood around for a while, wondered what I was looking for, got bored and left.
Two more guys, who joined me after a while, held out with me and we had a wonderful reward.

4. The Digital Attitude

Digital Photography is a blessing. You can take as many photos as you want without paying a dime and you can get instant feedback in the field.
However, people often use the feedback the wrong way. When you ask ten people with a "digicam" what they like best about their camera, a large percentage will tell you that the best feature of digital cameras is that they can delete pictures they don't like !!!!!!
Since when is deleting a picture a good feature?
The quality of a picture can only be judged on a large screen, and unless something is really wrong (e.g. someone walked into your frame while you pressed the shutter), you should NEVER delete a picture in the field.
Correct exposure can only be judged by means of a histogram (those screens are not calibrated and may not look right in the bright sun).
Only use the metrics (histogram, exposure, aperture, ISO) to judge your image exposure.
Never judge by how it appears on the camera screen. You can always delete the pictures at home (if you are trigger happy), but I usually keep everything. Flash Memories are incredibly cheap. I usually carry an image tank with me; this way I can back up my cards and never have to delete anything.

5. The Photoshop Attitude

I recently wrote a post about this: Photoshop it Later. A "photographer" took a photo of a group and noticed that the flash hadn't fired. He put the camera in his pocket with the comment "I'll photoshop it later".
There are so many things wrong with this (read my post if you want to know more), but even if he could solve all his problems with Adobe Photoshop (he would at least get increased noise levels), he would need to spend a lot of time on the photo.
Taking a second shot with the flash enabled would only take a few seconds. So if you think a photo didn't come out right and if you have the chance, always take another one (but don't delete the first - see 4, someone might have their eyes closed in the new one or there might be some other reason the previous shot turns out better).
Photoshop is an invaluable tool for photographers (I even wrote some Photoshop Tutorials myself); however, it is not a remedy for everything and you cannot turn bad photos into good ones with Photoshop alone.
I am a technical (computer) geek and we used to say, Garbage in - Garbage out. The same applies to Photoshop.

6. Unwanted things in a scene

Polynesian Idols with cluttered backgroundPolynesian Idols with cluttered background Polynesian IdolsPolynesian Idols Isolated
Often you thought about everything and you think you got the perfect shot. When you review the photo on your computer you see an ugly tree branch, a power line or something else that you didn't recognize while taking the photo. Just as it was true in mistake number 1, the brain plays tricks on us. Before pressing the shutter, take your time and scan the scene through your viewfinder. Scan it with your eye from the upper left all the way to the lower right, focusing your mind on trying to find these items.
Often times a slight change in angle or a step left or right can solve the problem and make a photo so much better.
In the two pictures above, I had shot the Polynesian Idols as I approached them. I quickly realized that the background was competing with the figures. This is due to the fact that the three dimensional scene is mapped to a two dimensional photo. The background distracts too much from the idols. Taking two steps to the left allowed me to isolate the subjects.

7. Always shooting from eye level while standing up

Oftentimes a scene can be much more interesting if photographed low (i.e. on your knees or belly):

Oregon Dunes Grass BushOregon Dunes Grass Bush
I took this photo lying on my stomach.
Lying on my stomach close to the ground, I could make the small bush dominate the entire picture and show the curvy windswept texture of the dunes.

Here is another Example from Baltimore.

For other photos consider climbing to a higher vantage point:

Nevada Falls - YosemiteNevada Falls - Yosemite
Shot from the trail
Often you won't have the choice of a much higher vantage point. You can climb on a tree or stand in the doorframe of your car (the picture above was shot from the trail though).
It is just a matter of deciding to go the extra few steps and climbing a nearby mountain to gain a slightly different perspective that may work much better. It won't always work out, but you will soon learn to appreciate seeking different angles and Points of View (POV). Those will make much more interesting and less static images.

For this image of Cusco Peru (left),
Cuzco Plaza de ArmasCusco Plaza de Armas
It wasn't easy to find the perfect vantage point for this photo.
I walked around for a while, always keeping in mind how I wanted to photograph the city.
Rattle SnakeRattlesnake I kept searching for a good place that would let me include the market, the two churches and the hill with the writing, but however much I kept wandering around, my sight was either blocked or I couldn't get everything in the picture I wanted to include.
After a while, I found an old abandoned church and a little girl was friendly enough to guide me up the spire (she was somewhat the unofficial keeper of the key).
I repaid her with a tip for her kindness and both of us were very happy.
I was able to get a photo that nobody else had, because I spent the extra time looking for a better vantage point.
In fact it is very hard to photograph the city square from anywhere else, since there is no open view.

For the image of the rattlesnake, getting down eye to eye with the snake made it that much more dramatic than just standing up. (A glass window kept me safe; the image was taken in the Zoo, thanks for being concerned ;-) )

8. Placing People in the Picture

Most people don't take a single photograph without posing in front of a perfectly good scene. Don't get me wrong, its nice to see someone was somewhere, but how many of those can you really look at and stay interested? The pictures feel extremely static and people always pose the same way. You might as well pose in front of a blue screen.
I don't mind a few vacation snapshots and some of them can be quite funny, but I think it is a much better idea to capture the moment. People laughing and joking or having fun going after some activity is much more interesting than having them pose together in front of the camera.

9. Not including other people

This one is a 180 degree turn from the previous item on the list. There are perfectly valid reasons to include people in photographs. Often I wait for people to leave the picture, not realizing that they belong in the scene. For reasons of copyright, I usually only publish images of people whose faces cannot be recognized or who agreed at least orally to being published.

The three most common reasons to include people:
  1. Guiding the Viewer into the Scene. Placing a person outside of the main area of interest and having the person look into the photo. The viewer can identify with the person:
    Condor Viewing in Peru

  2. Giving a sense of scale. Only with the person in the scene can a viewer truly grasp the size of Delicate Arch in this scene:
    Visistor at Delicate Arch

    Or giving depth to a scene:
    Hikers in Death Valley

  3. The Person is part of the scene itself, an actor or the person is the scene (sports)
    Actor on the Mayflower

  4. Documenting the life of people, the person being tightly related to the scene:
    Girl on Taquile Island - Peru

    Quechua Boy

10. Wrong Perspective

Your camera has a zoom function, doesn't it? Use it!!!!

Again coming back to the tourist photographs. Most people that pose in front of a great scene, let's say a mountain, get their photo taken from up close. In the photograph the mountain scene will be dwarfed by the size of the people in the scene. If you step back as far as possible and zoom into the scene, the size of the people in the scene will still be the same (you can zoom in until you are satisfied).
However, since you zoomed in, the mountain will now be much bigger, making the whole photograph appear much more dramatic. Every one of your friends will envy your great photo, since it is not just another face shot, but it also has another big and interesting subject (the mountain).
The same is true for photographs without people. If you have a foreground and a background subject, move away from the foreground and zoom in. This will accentuate the background much more, yielding a much more balanced shot.
Santa Ines Mission with small crossSanta Ines Mission with small cross Santa Ines Mission with large crossSanta Ines Mission with large cross
The only difference in the two images above is where I am standing. The cross and the bell tower are at the same distance in both images, but the image to the left compresses the depth between the tower and the cross (too much for my taste, so I stepped a little closer). Often the situation is exactly the opposite, and by stepping back you can bring the background closer.

Moving close to the cannon accentuates the cannon and dwarfs the fort in the background (in this case the desired effect, since I wanted to show the size of that cannon):

Cannon Baltimore FortA cannon at the Baltimore Fort

Disclaimer

Art is not something we can grab and hold in our hands. There are no rules and there is no right or wrong. Rules are meant to be broken and often some of the most amazing pictures I have seen did not abide by any rules.  This article is meant for novice photographers to inspire the process of thinking.
I am still learning and developing my style, too. In no way do I claim to take perfect photos. Some people like them, others don't.
However, I have made the first baby steps, and I am more than happy to share my insights with my readers.

This article will be the first in a series about Photography. So far I have focused my writing mainly on tool tips and technology.
Nevertheless, we are all first and foremost trying to improve our skills as photographers and artists.

During the next months I hope to write a lot more articles about Photography, trying to dive deep into the techniques (Exposure, Depth of Field ...) the artsy aspects (Composition,  Format, Placement ...) and the more elusive (what to keep, how to predict the conditions ...).

I hope to see you back soon.

Wow

Great article, Andre! You've listed some interesting and very helpful tips. Can't wait to get out again and try some of it.

:-)

More

Glad you liked it. Come back in a couple of weeks for more.

Interesting

Wow, some interesting tips. I've never been much into photography, but it's going to be hard to avoid some of this advice the next time I snap some pictures.

Not really

All it takes is not to be static. Move around while you take photos. Change your POV (point of view) as much as possible. Crouch down, stand tall, move left, right, and forward and zoom into the picture, always scanning through the viewfinder.
Snap not one but multiple pictures of each scene and eventually you will figure out what works and what doesn't.
Don't just get out of the car and take the first picture. Take your time to evaluate the scene.
There is a nice saying in German:
"Es ist noch kein Meister vom Himmel gefallen."
roughly translated:
No man was born a master.
Translated directly: "No master craftsman ever just fell from the sky."

Eh, no.

As a pretty well known photographer once said: "Rules don't matter a whit if the subject is truly interesting".

I guess some photographers need the rules. Artists, however, take pictures of interesting things.

Great article!

I loved the article. It pointed out some things that I obviously do wrong(?) in my photography that I can keep in mind and hopefully use to take better pictures. I'm definitely going to keep an eye on your RSS feed and come back to read some more. Thanks!

I have just spent 4 years in

I have just spent 4 years in university studying photography, (Fine Arts) bfa.... im not sure how great any of these pictures are.. theyre fine and all.. but i think the best advice anyone could ever have is, shoot alot, exparament, find YOUR STYLE of shooting, and as cappa said

"If your pictures aren’t good enough, it’s because you aren’t close enough."

i think thats often very true.

if anyone really wants to see some good photography, the shoudl get out of the flikr accounts and into galleries and fine book stores that sell art books, and photo books.

id highly recommend

ed Burtynsky
richard Misratch
chuck Close
sally Mann
duane Michals
james Nachtway
robert Frank
phil Burgerson
gregory Creudson
Phil De Corcis
andres sarronno.
renjak djkerstra
etc.

also.. www.magnuminmotion.com
great photo essays, animated!

(spelling is probably way off.. google will fix any of these)

its great to shoot a lot.. but you have to know what the best of the best are doing. that will help as well.

james

Junior photographer

I'm going to precis this article for my young son who has recently taken an interest in beginning photography.

Dave Bradley

great tips

for somone like me who wants to learn this is a good resource

Great tips

Nice Write Up, Very Useful

Great tips

Some great tips thanks will bear them in mind next time I go out with my camera.

The composition rule is missing

I think you've missed one important point:

1) Cut your picture with 2 imaginary lines vertically and horizontally to split your picture into 3 equal bands vertically and 3 equal bands horizontally.

2) The points where the lines crosses are the strong points. Subjects placed on this point will have more impact on the picture.

3) If you are taking a portrait, have the person or animal or whatever look through the picture and not look "outside" of the picture. This means if the person look right, the he should be placed on the left on the imaginary vertical line.

4) Colors are important. Red for instance will drastically attract attention while blue and green are less attractive to the attention. If you have a great subject you want to focus on, then remove that person with a red shirt behind, it will totally unbalance the picture.

5) Look for patterns in nature. Horizontal is calm, vertical is daring, diagonal is crazy. Cercles are peaceful. angular shapes are aggressives.

Awesome tips.

I am about a week away from buying my first digital camera, and this article will be bookmarked. Great writing, great article. I look forward to getting to know the rest of your site.

Very good resource, Thanks

Very good resource, Thanks
http://www.ebooksbay.org

photo

A good camera with a decent lens can make you a good cameraman regardless of your knowledge. Most modern cameras comes with automatic preset functions.

Ivan
http://www.spaml
Spaml free disposable email addresses

Great

This is a great article

I am a musician myself, but find any art interesting.

If you think it deeper, I can apply these advice to my music development

for example: less is more
I often fill my music tracks with too much instruments and samples, instead of focusing in the most important sounds (what I am trying to say in the first place)

Thank you very much

You've been very helpful

Cropping

I've not thought of zooming like that before. I've always tending to shoot for the web and so a higher DPI and "snap" I can crop it later. It's probably my strongest skill (cropping).

Idiots who say things like

Idiots who say things like this:

"As a pretty well known photographer once said: "Rules don't matter a whit if the subject is truly interesting".

I guess some photographers need the rules. Artists, however, take pictures of interesting things."

Annoy me to death. I am a photographer. Yes, I work as one. Professionally. And let me tell you that saying this is so cliche, and often way fucking off.

A good photographer doesnt just find a intresting subject and just snap on, without thought to composition. Thats what a amateur would do.
In your definition, is a photographer someone who just finds intresting things to shoot, and then just snapshot it?

Camera

Do you find that a cheaper camera can't take better pictures? My roommate had a 600 dollar camera, and I sometimes envied him. Is it possible to do a lot of what you said with my shitty 250 dollar camera?

Thanks for sharing your valuable advice

Though the mistakes that you have identified appear to be insignificant, but a photograph without them shows how importance.

Thanks for summarizing them.

I loved the article. It

I loved the article. It pointed out some things that I obviously do wrong(?) in my photography that I can keep in mind and hopefully use to take better pictures. I'm definitely going to keep an eye on your RSS feed and come back to read some more. Thanks!

Good article , but whats

Good article , but whats with the bashing I see this more as a way to help beginner photographers or just people who have other hobbies/jobs that do not involve photography to be able to have few nice pointers that may help them be able to take a better picture.Not some guide for the pros or enthusiasts.

Good reading

This article is helpful for both amateurs and professionals.
Thanks for the sample images that you use to support your tips.

Good reading

This article is helpful for both amateurs and professionals.
Thanks for the sample images that you use to support your tips.

there just photos..........

there just photos..........

Well said!

Good tips for anyone to remember. Thanks for sharing!

Amazing work

Some of your pictures are amazing, patience is something I find hard since you never really know if you're going to get that great an image especially for time sensitive shots.

These pictures are aweful

These pictures really blow. If you're going to do tips on better photos, you should really consider good photos for examples. Makes someone lose all respect man, seriously.

Great Suggestion

Its a worthwhile suggestions for poeple having interests in photography.

Delecious

BTW this page is on homepage of delecious

Camera Use

I know good techniques will help, but how much of this is also having a good camera? It seems like that would level the playing field a little.

Photos

Great work man! I will try these tips out this weekend. That zoom tip is new for me.

Artists

True artists hone their craft and learn what works before claiming to BE artists. Obviously the rules or more like guidelines. However, if you just run around taking photos without understanding WHY they look good, you will never be as good as you could be.

my take

Photos are an acquired skill, practice lots and look critically at your work.

Look for the background that will fill the photo, look for the lines that will emphasise what you find interesting, look for colour/ light/ detail contrast that will frame your target, look for the human element that makes it interesting to you, concentrate on composing the photo when you take it, even if you take a bit more around the edges and crop later.

And work fast! Images pass very quickly.

Digital helps, as you can take lots of shots and correct many of them, but remember that a camera at hand taking a photo is better than no camera-no photo. You got to be there to take the shot and sometimes the best camera accessory is a warm jacket.

gumtree

I think you've got it

I think you've got it backwards. Lazy 'artists' take pictures of interesting things. Artists can take something mundane and make it into something truly interesting.

I think I better quote is "You have to master a rule before you can get away with breaking it."

The rules of photography are great for people that are starting out and can't afford to use anything other than household objects and what's in their immediate area.

Vacation companions impatient?

Great tips, thank you. The tip titled "No Patience" and the photo of the town in Peru spoke to me most - I always try to wait for the right conditions, or go to the perfect vantage point. However, the person/people I am on the trip with can sometimes get impatient with me, and I feel pressured to move on without getting that perfect shot, since hey, it's their vacation, too, and they have a right to not be bored.
Do you have any advice on this issue, other than just splitting up for a few hours?

Ten Most Common .....................

Nicely Done !!

Do you have a regular spot where you give tutorials? You have a very nice style of writing and explanation.

I have shot photos all my life, and have taken many classes and still learned from your posting.

If you do have a site for this, here is a suggestion. Have readers send you some photos and you explain what is right and wrong using their photos instead of yours. I suggest this only because ALL of your examples are still very nice shots. Many times, I see peoples shots (often times they are shooting something for me), and I just wish I had taken the picture. And typically what I notice is simply because it is NOT my frame of reference. I am not judging their efforts, just simply noticing an element of the shot that I would have caught had I taken the shot. Even your worst shot is better...................

Just a thought for you. Very enjoyable article. Good job.

Bill

Comment to the person who said "Rules don't matter"

I don't think this article is about "rules" and adhering to them to make a great picture. It's more about some common pitfalls of boring photographs. It's all about what affect you're going for in a picture, and how to get the best image you can.
I've accomplished great things in life by breaking the rules, but if I didn't know the rules to begin with, I wouldn't have necessarily have broken them in the way that I did.

excellent tips thanks

excellent tips
thanks

About the overcast sky

One tip i really disagree with is about cloudy sky. Well of course much depends on what you're shooting, but at least for me in most cases sky used to ruin everything. Most vulnerable are city scapes and landscapes where sky plays a major role. Try gray old-towns accross Europe and what do you get? A burned out sky or dark as hell buildings. Here "i'll photoshop it later" attitude works: take two pictures - one with long exposure, another with short one - and glue them together in the end. That's probably the only effective technique i know. In case of sunlight through clouds or some clouds in the blue sky - sure - it works, just wait till you have sun-lit object you're picturing and there you go. But the periods which are so common here where i live - a plain gray-white sky - are a killer.

In case anyone was looking

In case anyone was looking for the correct names:

Edward Burtynsky
Richard Misrach
Chuck Close (Though, he isn't really known for photography.)
Sally Mann
Duane Michals
James Nachtwey
Robert Frank
Phil Burgerson
Gregory Crewdson
Phillip Lorca DiCorcia (P.L. DiCorcia)
Andres Serrano
Rineke Dijkstra

As he was saying though, if any of you really want to improve, start looking at photobooks, and not the piles of boring flickr DSLR crap on the internet. A lot of what people comment as "AMAZING, TRULY AMAZING" on the internet is absolutely nothing compared to what true fine art photographers are showing in galleries everywhere.

uh, yes.

there are principles trained artists follow to create engaging art. as he said, rules are meant to be broken, but being aware of a few of them can really help. for instance, you may find a piece of trash on the floor that's really interesting, but if you don't shoot it from a good angle, you might not capture everything in the photo that you could see in 3 dimensions.

Photographers...

Philip Lorca DiCorcia
Rineke Dijkstra
Gregory Crewdson
Andreas Serrano
Richard Misrach
Duane Michaels

saying 'google will fix' is the same as saying 'i'll photoshop it later' you lazy git.

hugh o'malley
photographer
http://somaphotos.co.uk

Wow

The level of arrogance in this comment is appalling. What a condescending and horrible thing to say to someone who's just learning about photography and wants to be nice and share that knowledge with other novices.

I think this is a great article, especially for people who aren't sure what to focus on, or how to compose photos. I look forward to reading further articles in this series.

very good explanations. I'll

very good explanations.
I'll put a copy in my photobag.

Yeah, it really is a good

Yeah, it really is a good resource for non-experts who want some ideas to help them get started.

I don't know if you can

I don't know if you can learn photography by simply reading a list of "mistakes", if that's what you want to call them.

Personally, I believe the most important thing is to figure out how to interpret photographs. As in, figure out how an average person would feel if they look at a certain photo. From there, you can figure out what kind of message you want to send, and what techniques will help you send that message.

Giving black and white tips like these will just guide even more people into believing that photography is made up of strict rules that everyone must follow. It will simply increase the size of the "You don't follow X rule" bandwagon.

Photographic techniques like the ones you discussed should solely be used to help you transform the image in your mind into the image the camera takes. That which is a "photographic mistake" could be something you wish to employ, depending on the photo and your message.

Great Tips

Practice makes perfect. With digital cameras it's easy to see the result and make adjustments and you don't have to wait for the film to develop like you had to do with traditional cameras. Also check out photo sharing sites like flickr for some great ideas and photos

Thank you for this very fine

Thank you for this very fine and well written article.
With full credit to you, of course, on my own blog, I copied one of your pictures, wrote about this article and created a link to your site.

Shirley Buxton
www.writenow.wordpress.com

Good article, lots of good

Good article, lots of good points in a short format.

Just a couple points of clarification regarding: "For reasons of copyright, I usually only publish images of people whose face cannot be recognized or who agreed at least orally to being published." This is not a copyright issue, people do not own a copyright to their face. It is a privacy issue, and (like copyright) privacy laws vary from place to place and from situation to situation. Also, oral permission probably isn't going to mean anything in court, so if you're going to bother getting permission as a way to avoid legal troubles, you might as well take the extra step of getting it in writing. There are some simple model/subject releases (and property releases, since it's not just about people) available for free, a quick Web search should bring some up. They might not be "perfect" legally for the relevant jurisdiction, but they can at least demonstate the intent of the subject more than "well, she said I could..."

Very Nice

I love the pictures.

Don't listen to the "I'm so much better" minority

Thanks for the tips. disregard the comments from the snoots in the back row. I appreciate the advice.

Great! And a couple more...

These are great tips. I often use the getting down on the ground trick for road action shots; it completely changes the scene. I will add these two basic tips, however:
1: Take the shot. You can fuss around with the camera all you want, fuss around with the framing, or whatever. But nothing else matters if you don't get the shot. I've seen people miss once in a lifetime shots after they became too obsessed with the details, and when the moment that they'd been waiting for came, they weren't ready to click the shutter. Do your prepwork in advance, and Take The Shot!
2: This goes along with #4, The Digital Attitude - Shoot, shoot, and shoot pics some more. Don't save your pictures for only the perfect pictures. And, as Mr. Gunther posted, don't delete them! Maybe you're on your way to get a shot when you see something neat, but you're worried that it's not the right angle, that the framing isn't right, etc. Don't worry, just get the best shot you can and move on to what you were doing in the first place. If it doesn't come out right, you're not out anything. This is digital, this isn't film - you're not wasting precious and expensive film if the shot turns out not to be right! I've gotten some good shots that my friends have passed up because they figured they couldn't get the shot right. Again, it's not like they'd be wasting film. Do this and you'll likely be pleasantly surprised when you get home and download to the computer. Many favorite pictures are taken on a whim like this.

rules and that

In regard to Anonymous and James' comments above, I would say that it's not so simple as that. While it is important to develop one's own photographic style and so forth, I firmly believe that one must have a basic grounding in what works in photography and (more importantly) why. Things like the rule of thirds, back up and zoom out, etc, give beginners basic tools to get off the ground and produce competent images.

When they've mastered these ideas (such as in Andre's article here) and start to move on into their own style, they do so with an understanding of the fundamentals, why they work, and under what circumstances to damn the torpedos and do something different. As an old serviceman told me in my USAF days, "First you learn the rules, then you know the rules, THEN you break the rules." (or, for you cooks in the room, you have to understand French Traditional before you can really understand Nouvelle).

To beginners here, take in the rules. Learn what does what to your image. Pick up as many tips as you can, and get them down pat. Then, when you hit a situation where you say "OK, I know the rule says 'this', but I think the image would look better like 'that'", GO FOR IT. Don't be afraid to experiment every which way. Look for the picture no-one else is taking. Keep at it, and your style *will* emerge.

Kelly

oh...

And if I could, I'd just like to add Philippe Halsman to the list above. An amazing portrait artist with a real knack, but I like 'em best because, working with Salvador Dali, he brought surrealism into Photography. His "Dali Atomicus" is one of my fave pix ever.

Great article, I'll have to

Great article, I'll have to keep those tips in mind in the future. Thanks!

my #1 problem

is winding up with a good portion of finger over the lense. sometimes they look like a nice pair of legs, though.

Copyright?

"For reasons of copyright, I usually only publish images of people whose face cannot be recognized or who agreed at least orally to being published."

I don't quite understand this statement. Anyone in public can be photographed. You're missing a lot of good photographs if you're only taking pictures of the backs of people's heads.
No one has a copyright on their face.

Santa Cruz

I saw that you had some pictures from Santa Cruz Ca
I grew up there, and did live there untill I was 19,
I miss the area, and I wanted to say the pics you took
there are awsome, I've seen so many sunsets that
looked like one you had with a sail boat, but I didn't
take pictures back then, you do a great job.

Great article, after taking

Great article, after taking over 5000 pictures I still make some of the mistakes you have listed.

Great stuff!

This was a great article to read. The whole "take now, photoshop later" attitude really annoys me - makes for lazy photographers!

Great example pics as well.

Thanks

Thanks everyone for your kind comments.

Nico: That one was intended for a later post ;-)

Ivan: I completely disagree. A good camera doesn't make a good photographer. I have seen good photos being made with cheap cameras too.

Daycruz: It's not the camera that makes great photos, its the photographer. A good camera has many advantages (lower noise, shorter shutter lag ...) but a photo of an Alien taken with a Cellphone Camera will sell for a lot of money.

Whoever said my pictures are awful: Did you read the disclaimer below the article? It's all there.

Gumtree: I partially agree with your comment, however working fast is not always the solution. The photo of Vernal Fall took me hours, just waiting for the Rainbow to show up. Once it came up, I had to be fast though, as it didn't last long.

"You have to master a rule before you can get away with breaking it." - Excellent Quote, Thank you !!!!

Simas: Burned out skies are a common problem, but overcast days really bring out the color. Try not to include the sky in your photos. Often times the dynamic range is too high (thats why the sky is burned out) during a sunny day, but if you want to photograph objects (without the sky included) there is no better thing then overcast sky.

Jon: That is certainly the case. I am blessed with my partner who I could interest in photography as well, so often we spend the time together. I would advise that you split up for a couple of hours and meet again at a certain time and place. Especially during Sunset hours (1h before to 30 min after) I need to focus on my photos, even if that means I won't get dinner. Send your friends to dinner and grab something quick afterwards, explain to them how important that is to you and share your photos with them later, so they understand why (and are not offended).

Copyright on People: You are right, its not the copyright, but as far as I know, you simply cannot publish photos of people without their consent. It could land you a world of trouble (if they are recognizable).
All people I photographed in Peru gave their consent (for a small token of appreciation). The problem is to get them to look natural. After you negotiated a deal, they tend to pose (I guess most tourists want that), so I try to sneak a couple of pictures first and then show them that I appreciated it (not exactly the correct thing to do though).

One other tip

I think that all your tips were great. I'd like to add a common mistake that my old photojournalism professor used to harp on and on about.

Pay attention to the background interfering with shots of people. Especially having things go through their heads, like power lines or lamp posts.

It happens a lot more than you'd think.

Nice... greatly appreciated

:)

So just by studying makes

So just by studying makes you an expert... BHAH!! such vanity!!!.... Ever heard of taste??? ... Art can not be learned stupid!

Get down on the floor to photograph

Especially important to get down on the floor when you are photographing kids.
The pics turn out much better and I think they also appreciate that you make the effort!

Thank you

This was informative. I appreciate you putting this together and sharing this.

More

Shaq_Diesel: Funny that you mention the stick through the head thing. I was trying to find one exactly like that among my photos, but I couldn't (I am sure there is one somewhere), so I settled for the Polynesian Idols in #6 :-)

dmc: Some people actually DO like tips and there are entire faculties dedicated to art. I can also see from your comment that you didn't bother to read my disclaimer at the bottom of the article.

Cellular Demon: Nice tip, thanks !

Thanks Bill, its been my pleasure.

seriously?

this is really egomanical. photography is about expression of the self, not adhering to someone else's set of rules. and for the record, zooming is probably the last thing you want to do. it flattens the image and pushes in on the individual pixels of a frame, creating an image with less information

@daycruz You don't need a

@daycruz
You don't need a super-expensive camera to get decent photos. Although a better camera may help.

Anyway, great basic photography tips. Very easy to understand. They've been Dugg at Digg.com.

pix

good points ...
thanks for sharing ...

Great stuff, incitful,

Great stuff, incitful, interesting and you don't talk down to your audience, well
done, I really enjoyed my first stumble.

Art Wolfe

Since some of you suggested great artists (remember, I never claimed to be a great photographer, but even in grade school I used to learn a lot from my peers) you should put Art Wolfe on the list.
Some also wanted to see books, so I took the liberty to include 3 books of my favorite Artists. Those books are simply amazing.

I agree

I totally agree with you. I also am a pro photographer. To me a good photographer is a person who can see better.

why rude comments?

Some very good examples. This article will sure help beginners to avoid some very common mistakes.

I don't understand how such an article gets even one rude comment. These are helpful tips. If these really are the ten most common mistakes, I am not sure about, but I have seen made all of them.

Thanks for the write-up. Keep on doing a great job.

Of course...

More expensive cameras have more options and give you more flexibility, but they don't always take better pictures. I have a $2.5k DSLR and a $400 point and shoot. The former is much better in many situations, but the latter is much more convenient and actually takes better snapshots in many situations.

Нихера не

Нихера не вкурил шо вы там пишите но вы гандоны! Привет из Крыма.

well translated from actions to words

excellent article. ive been following a lot what yu have summarized, and learnt a few more tricks from you! i need this page because it is well translated from actions to words. thanks for analyzing things, and taking time to publish it free of cost. this is as good as it gets for free!

somebody as bragged about

somebody as bragged about his degree and all.. sometimes degrees wont work common sense works.. i think andre put up some of a common knowledge needed for a starter so i am very much apparicated with his posting.. thank u andre

Man those are some sweet

Man those are some sweet tips. Thanks

Thanks a bunch!

That's a great disclaimer.

Your suggestions are terrific. Thanks for posting them. Your photos are especially enlightening. Your "don't always shoot from eye level" is great- one suggestion for taking pics of kids is either to get down beneath them (which can give a sense of towering strength to the kid), or get above them for a unique shot.

sun/clouds

I just wanted to add to your point on sunlight and overcast skies. The sun can create a lot of undesired shadows in your pictures, so on an overcast day the light will be much more balanced.

Thank you.

Thank you for such a great article, and for no minding the snobs who think they know everything.

Thanks Davidrr

I do mind every comment, also the negative ones. If they have constructive criticism I try to incorporate it into my next articles.
As I said above, nobody was born a master.
I also would like to point out (yet again) that the article is just meant to get people thinking. I am in no way trying to impose my style on anyone.

Anyways, I am reading all the comments (good and not so good).

Great article. Thanks for

Great article. Thanks for the ideas

Good Article

So typical of something on the internet with comments. "Awesome!" "Awesome!" "CRAP!" "WORSE THAN CRAP!"

I think this is a very good example of some major pitfalls when trying to move from "I can push the shutter button" to "people may want to actually look at my photos". How do you go from there to "Fine Art"? I don't know. How do you get to Carnegie Hall? Ha ha ha....

I'm not an art critic, but your photos illustrate what you're trying to talk about pretty well. Are they as good as something in a museum? Probably not. That's why something's in a museum (or at least partly why it is...)

those are excellent advice

those are excellent advice and I thank andre for them. Im just a photographer wanabe and know more than to feel limited by your suggestions. Those who take your basic 10 as rules of restriction to the amatuer must think we are a bunch of dummies. dmc my dear, give me some credit. I can still think for myself. Please stick to constructive critism so that I can learn from you too. Don't breed hate, it is quite unappealing.

thanks for the great tips!

These are great tips, and I've made many of these mistakes myself. Thanks for the article! I look forward to the technique article very much.

Your article

A photographer I met in England made the good suggestion that you should explore your subject thoroughly with the camera. This means taking many pictures, but change something in every shot - camera angle, composition, zoom, focus, depth of field, exposure, close ups, long shots, abstractions, etc. When will you get to that location again? In the old days they used to say "Film is cheaper than shoe leather".

The guidelines you give are excellent.

motivated

you have just motivated me even more to actually go and do a intermediate course in photography. I have been sitting for too long taking lucky shots and not understanding the important things like the compositions and light. I have to start understanding these key aspects to taking the perfect picture. I have been taking too many chances for too long.

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